The Man Who Slew Wat Tyler

 William Walworth is remembered chiefly as the man who slew Wat Tyler in an impetuous and possibly unnecessary show of concern for the safety of a fourteen year-old king, Richard II. It earned him an immediate knighthood, on the spot, at Smithfield. That was in 1381.

Ten years earlier, the Carthusian House of the Salutation of the Mother of God, had had less dramatic but nonetheless genuine reason to be grateful to Walworth. He had provided money towards the construction of the first cell for a choir monk.

The establishment of a Carthusian monastery just outside the walls of the City of London was an unusual project. Carthusian houses were traditionally built in isolated locations. But, the idea of a house of constant prayer alongside the place where so many victims of the 1348 plague lay buried was a popular one. It had the approval of the then king (Edward III). The Priory of St Bartholomew donated the land. The next thing that was required was money to start building. And so began a fund-raising campaign among the wealthiest Londoners. 

The driving force was Sir Walter Manny, a courtier and member of the royal inner circle. He had been Queen Philippa’s Esquire Carver and the Keeper of her Hounds. After many bureaucratic delays, Sir Walter recruited William Walworth to be a donor of funds. Walworth was, at this point in his life, on the up and up. He had prospered as a saltfish merchant and member of the Worshipful Company of Fishmongers and had recently become Member of Parliament for the City of London.

Manny and Walworth pooled resources and in 1371, construction began on a cell for the monastery’s first Prior. Not, perhaps, the kind of monk’s cell you might imagine. More like a little two-storey cottage. That became known as Cell A, now lost, thanks to the depredations of the Dissolution of the Monasteries and subsequent repurposing of the site. The following year William Walworth paid for another cell to be built; Cell B, of which remnants - its doorway, tiled threshold and food hatch - have survived in what is now The Charterhouse. The floor tiles are Flemish, as was Walter Manny. Perhaps he gave his friend Walworth some decorating suggstions?

The monastery took 60 years to complete and during that time Walworth sponsored a further four cells, either directly from his own wealth or by persuading acquaintances to leave bequests.

At the end of May 1381, with the population in revolt against a poll tax and Wat Tyler’s band of Kentish protestors heading to London, young King Richard bolted to the safety of the Tower. William Walworth, at that time Lord Mayor of the City, called out the City Guard, but the men of Kent pressed on and, on June 15th, assembled at Smithfield to make their demands to the King. 

The meeting seemed to start well. The King was amenable. What happened next is contested. Did Wat Tyler become over-familiar with the King? Did he spit, disrespectfully, in his direction? Did one of the King’s entourage respond by insulting Tyler? In a heated moment someone made the first move, perhaps Tyler, perhaps Walworth who had ridden out to Smithfield with the King.

According to one version of the story, William Walworth despatched Wat Tyler immediately with the thrust of a dagger. Another version is that Tyler, seriously wounded, was carried into St Bart’s hospital, but was soon dragged from there by Walworth’s men and publicly executed. Whatever the actual timeline, Tyler perished and his dispirited followers went home. It was effectively the end of the revolt.

Was Walworth a dagger-happy oppressor of working men or a good citizen and brave defender of his monarch? Whatever the truth, he was rewarded with a knighthood and a pension and is today counted as one of London’s worthies. The north-eastern pavilion on Holborn Viaduct, linking the viaduct to Farringdon Road by stairs, is named after him and bears his statue.

Caroline Herschel

  I've been interested for some time in the network of artists and scientists who coalesced around the wealthy, charismatic and imposing figure of Sir Joseph Banks. Banks launched his career (which was initially as a botanist) first by voyaging to Newfoundland and Labrador to study their natural history, and then by travelling with Captain Cook, in 1768, to explore the southern seas. He later became a friend of King George 111, was instrumental in developing the botanic gardens at Kew, and, among many other interests and activities, became the President of the Royal Society (the national academy for the advancement of science).

He was very good at spotting and encouraging talent. And one of the young scientists who came to his notice was William Herschel. William was an astronomer - as was his younger sister, Caroline.

William came from a family of musicians in Hanover. He moved to England in 1757 and initially worked as a musician, first in the north and then in Bath, where he became organist at the Octagon Chapel and Director of Public Concerts. It was during this time that he invited his younger sister Caroline to come and live with him - his brother Alexander also shared the house, which is now the Herschel Museum of Astrony.

Caroline was seventeen when she arrived in England. She had been very close to William and must have been devastated when he left home - particularly as her mother, who really only had time for her oldest son, Jacob, neglected the child. Caroline was treated as a servant: she contracted typhoid as a child, as a result of which her growth was stunted; she was tiny, just a little over four feet tall. But things took a turn for the better when William came back to Hanover and rescued her. He taught her to play music and to sing - so well that she was offered a post with an opera company in Birmingham.

But by this time, Caroline and William were both becoming fascinated with astronomy. (I've noticed that there's often a connection between music and science, though I don't know enough about either to understand why this is.) William learnt how to grind and polish lenses, and built increasingly large telescopes which he used to sweep the night sky. Caroline was initially his recorder and note taker, but she progressed to making her own observations. 

One day, a friend of Banks named William Watson noticed Herschel in the street in Bath, making observations with his telescope. Intrigued, he fell into conversation with the astronomer, and later brought him to the notice of both Banks and the Astronomer Royal, Neville Maskelyne. Not long after that, Herschel discovered a new planet, which was eventually named Uranus. This caused a great stir, not just in Britain, but further afield on the continenet too. Meanwhile Caroline was making her own discoveries in the night sky: she specialised in finding comets.

In 1782, they both moved to Datchet, and initially William, but later Caroline, came to be employed as astronomers by the King. Caroline was the first woman in England to be honoured with a government position, and the first to be given a salary as an astronomer. Imagine, for a child neglected by her own mother to have achieved so much, and in a country where she arrived not knowing a word of English - it must have felt wonderful!

But there was a shadow over this period of her life. Hitherto, Caroline had worked closely with her beloved brother, and had managed his house for him too. But now, William decided to marry - and everything had to change. Fortunately, Caroline's salary, though not large, allowed her to be independent. But these were difficult years for her; so much so that she later destroyed her journals for this period.

Mr. Keynes' Revolution and Mr Keynes' Dance by E.J.Barnes.

 The first, MR KEYNES REVOLUTION, creates a picture of the clever, complex man at the centre of the intellectual Bloomsbury group. Maynard has close relationships with the artist Vanessa Bell, her sister Virginia Woolf, her lover Duncan Grant and others as they move between their busy lives in Edwardian London and the artistic freedom of Charleston, a secluded farmhouse on the South Downs. This circle of friendship is suddenly disturbed when the homosexual Keynes falls in love with his Lilac Fairy, Lydia Lopokova, a Russian ballerina. Lydia, who has fled the Revolution, is kind, practical and worldly, and the sisters feel little empathy towards her.

Alongside the dramas of these and other characters, the novel follows Keynes’ public life, from when he walks out of the International WWI Paris Peace Talks in protest at the punitive terms imposed on the defeated Germany. Returning to his academic life in Cambridge, with his parents close by, Keynes starts developing the economic theory that will bring him back to political and economic attention.

I particularly enjoyed the way that the novel flowed between these private and public lives, illustrating the social impacts of the political clashes of these decades. Although the conflicts E.J. Barnes describes are less 'heroic' than scenes of soldiery, she shows that Maynard Keynes’ battles for sound economic practices were also relevant to the lives of small ‘s’ socity.

Ther second novel, MR KEYNES’ DANCE, follows the now-married Keynes and Lydia as they face all the changes of the post war years. I had been waiting for this second novel to appear, and I was not disappointed.The pair move into Tilton, a farmhouse not for from Charleston, where they keep pigs, garden and grow vegetables. Vanessa is too jealous and Virginia too troubled by snobbery for them to act as any more than social friends. Will the group ever be at peace again?

 Vintage 30s Maid Costume / 30s Servant Dress / Downton Abbey / 1930s ... 

Meanwhile, a contrasting thread continues through the interweaving the lives of the young servant girls, often moved between one or other of the ‘Bloomsbury’ homes. Lydia herself is often more at ease with servants than with Chartwell and company. Drawn from working-class backgrounds in Wales and London, the novels show the servants hopes and social awakenings developing during the decade.

The second novel takes place against the wider powerful political changes arriving between the wars: the General Strike, the Wall Street Crash and the Great Depression and others. They all drive Keynes onwards, to working harder and harder, analysing fresh economic theories and solutions. 

Earth Mysteries - Torre d'en Galmés

 At the beginning of October, I went to Menorca on a Yoga Retreat. Weather perfect, lovely place and I love the Balearics. I've spent time on Ibiza, but I’d never been to Menorca. It is smaller than Ibiza or Majorca, less busy and less well known. 

Apart from the yoga and the prospect of a little sun before winter sets in and the storms start rolling in from the Atlantic, I wanted to see the megalithic sites that are unique to this island. I'd read about them years ago in a book about Earth Mysteries and they were on my list of places I'd like visit. We have plenty of megalithic sites in Britain and I've visited a lot of them, but so many have been worn away, degraded, ironed out by ploughing, their stones robbed for later building by people who had no respect or reverence for those who had occupied the land before them.

Menorca is a small island and for much of its history sparsely populated, so much survives here. It was also isolated, at the far eastern end of the Balearic archipelago and distant from Continental Europe. The first settlers apparently arrived in the Early Bronze Age and by the end of the 2nd millennium, it had begun to develop its own distinctive culture with large settlements, roads, dwelling places and open spaces surrounding tower shaped monumental structures called talayots. 

Torre D'en Galmés is one such settlement. It occupies an extensive site and is the highest point on the island. It is on the southern coast, looking out to sea. All along this coast are silo milar sites. Apart from the tower-like talayots, there are stone enclosures, containing monumental structures, Taula (table in Catalan), huge slabs of stone topped by massive stone lintels, eerily reminiscent of Stonehenge and the even more mysterious Göbekli Tepe in Turkey. What was their purpose? Table? Platform? Altar? Who constructed them? How? And most of all, why? The same mysteries surround these sites as swirl about so many other remnants of ancient cultures that have disappeared from our memory. They suggest many questions but answer very few.  

Very little is known about the purpose of these impressive stone enclosures and the significance of the monumental Taula that they enclose. Some kind of sanctuary where the community could gather to perform celebrations, ceremonies and rituals, but of what nature and to what purpose? There are so many enigmas - the massive size of the monolithic slabs which form the Taula, made of local stone but how did they get the stones there, how did they form them, how did they erect them? As with all these enigmatic remnants of the past, we don't know and will probably never know. 

Of a Cave Unknown

 I have spent the past ten years writing about Ancient Rome. I’ve written four novels, three non-fiction books, three short stories and a total of 27 History Girls articles. Somebody really should stop me. After my last History Girls article about Ancient Rome got hit with a content warning, which I suppose I was asking for given the title; How Depraved was Ancient Rome? (the answer being depraved enough to twitch the antennas of Google’s sensitivity robots) I decided that for my next article I would write something much more wholesome, more family friendly, less likely to offend. Which pretty much rules Ancient Rome out as subject.

Instead, I have decided to cast a historical eye over my hometown of Royston. Nobody ever invokes the Google censor robots writing about local history, do they?

Royston is a small town of around 17,000 people situated on the Hertfordshire/Cambridgeshire border and it’s somewhere I have lived for the last 12 years. The sign that greets you on driving into Royston neatly sums up what my home town has to offer to the would-be visitor.

It’s a historic market town! It has some gardens and a historic church (aren’t all churches generally historical?) There’s parking and toilets and the possibility of eating, drinking and having a cup of tea. And then there is it nearly at the very bottom of Royston attractions, beneath the toilets (which frankly I do not particularly recommend) museum and cave. What says you? A cave? What do you mean a cave? Why would there be a cave in the heart of East Anglia, a terrain so flat that it’s version of hills are nothing more than a slight upward incline and is situated at least 60 miles from the cost?

And here lies a story, a real life mystery and one that really deserves a better more impressive road sign.

The Discovery of Royston Cave.

Scouring my local bookshop, Bows Books, I stumbled across a pamphlet about Royston Cave written by one Joseph Bedlam. Bedlam, a local Royston boy, is an interesting man. A one-time lawyer turned parliamentarian and campaigner against slavery, in his retirement he forged an interest in archaeology and wrote several pamphlets on finds in his local area. Including the one I picked up in Bows Books on the cave.

Bedlam’s account is written only 100 years after the initial discovery of the cave and it is quite marvellous. Take as an example the extremely diplomatic way Bedlam completely demolishes a certain academic’s stated view on Royston’s history: ‘Camden was not quite accurate on that subject; and he may have been misled as to the origin of the Cross.’ Which is Victorian gentleman talk for Camden is both wrong and an idiot. Burn.

According to Bedlam it was in August 1742 that a gang of workmen given the task of erecting a bench in Royston’s butter and cheese market happened upon something curious. It was a round millstone with a hole in its middle only a foot into their digging. Obviously, it would have to be moved, else where would the bench go. But on prising the millstone up the workman found something strange underneath it, there was a shaft. A two-foot-wide man-made shaft that they discovered, by dropping in a plumb line, was at least 16 feet deep. Gazing down into their discovery the workmen noted the ledges carved into the sides of the shaft at regular intervals, they looked uncannily like steps on a ladder, but where did those steps lead to? There was only one way to find out. Send a small boy down there to investigate!

In defence of those workmen this is an era where it was commonplace and indeed expected to send small boys into narrow tunnels, because what are they good for otherwise? This small boy evidently proved himself a useless first responder since they then lower in a ‘slender man with a lighted candle.’ Beldam fails to mention whether the boy or the slender man willingly volunteered for this mission. Nor does he give the boy or the slender man a name, which seems jolly unfair since they are the first people to set eyes on what the workmen have accidentally uncovered.

The nameless slender man does a much better job reporting back than the boy, possibly because they’d at least given him a candle. He tells them the shaft leads to a cavity around 4 feet in height that is filled with loose earth. There was a moment’s pause as everyone digested the slender man’s report, and then a collective conclusion was reached: ‘The people now entertained a notion of a great treasure hid in this place,’ says Bedlam.

One can imagine the excitement of those townspeople, their day was turning out to be way more interesting than the daily purchase of cheese and butter. It must have been akin to how Howard Carter felt when he gazed upon the door of Tutankhamun’s tomb. Or the Italians as they began to slowly uncover the majesty of Pompeii. Or Indiana Jones in that bit in Raiders of the Lost Ark when they find the Ark. Although rest assured that nobody’s face melts off in this tale, thankfully.

It’s amazing the motivation the thought of riches beyond your dreams can inspire, the townspeople working together managed to extract 200 buckets of soil by nightfall. ‘They were quite exhausted by it,’ reports back Mr Bedlam. I don’t doubt it. But what was it? What was it that lay beneath that millstone? What had they uncovered?

Disappointingly it wasn’t a room stacked up with golden treasures like Howard Carter had found behind his door in 1922. What they had found was a cylindrical space 17 feet in diameter with a domed roof some 25 feet high. The most striking feature of this manmade cave, and one as worthy as Howard Carter’s discovery, were the walls of the cave. For on them were carved images, hundreds of images from the floor right up to where the domed ceiling began covering pretty much every spare inch of stone.

Medieval climate change

 A couple of weeks ago here in the UK, we put our clocks back one hour from daylight saving time. So now it’s more or less dark by 4.30pm. I know that some people suffer from SAD, seasonal affective disorder, brought on by the shorter days. I’m not one of them but, even so, I do always have a sense of descending gloom at this time of year, which I know won’t be relieved until the spring. 

But I do take pleasure in any splendid sunny days, such as the morning I am writing this, when the sky is utterly blue and the sun is bright, casting a glorious golden light on those deciduous trees in my garden and beyond whose leaves are turning brown. I suspect it is not all that warm outside but, later on, I will don my coat and maybe a scarf and gloves, and go for a reviving walk.

However, as so often when weather is on my mind, my thoughts turn to the folk I write about in my novels, people who lived in the fourteenth century. For us, shorter days may signal the arrival of a period of “hunkering down”, but we can to a considerable extent still get on with our lives without too much disruption. We generally have on-tap heating and lighting in our homes, and even travel and going to work are mostly manageable (in temperate climes like the UK, at any rate). But, for my Meonbridge folk, especially the poorer ones, shorter days meant fewer hours in which to work, especially outdoors. Obviously, rural peasants were farmers, so there would be work to do. They would wrap up as best they could to go out and harvest winter vegetables, fertilise fields, repair buildings and fences, collect fuel for fires and, if they had animals, feed them.

But then they had to retreat indoors, and it is hard to imagine, isn’t it, how restrictive life must have been? With only a wood fire burning in the central hearth, undoubtedly emitting a good deal of smoke but possibly not all that much heat, the long evenings and nights would often have been very cold and “hunkering down” might have meant wrapping yourself in every garment you possessed (which might not have been all that many), and huddling around the fire.

The lack of light too must have severely limited what people could do indoors. Spinning or sewing, or any craft or repair work, would have been difficult to manage by candlelight, or, worse, by rushlight. And, in the depths of winter, when bright sunny days might be infrequent, the days too would offer little opportunity for industrious activity. Windows in peasant cottages were few and small and, if shutters or blinds were closed to keep out the winter weather, it would be dark indoors, even at midday. If outdoor work was not required, then confinement inside must surely have been excessively tedious!

I don’t have any special insight into how such medieval lives would have been lived, or whether indeed people then suffered from SAD, not that they would recognise it, of course. But bringing my imagination to bear, as of course I do when writing my novels, leads me to assume that winter life would have been uncomfortable and dull for them at best. Not of course that they knew any different, so undoubtedly they did simply get on with life as best they could. 

Anne Boleyn's Book

 On 19th May this year I visited Hever Castle, Anne Boleyn's childhood home. It was on this day in 1536 that Anne was beheaded at the Tower of London following charges of adultery, incest and plotting to kill her husband, Henry VIII. Modern historians regard these charges as fabricated: the couple had failed to produce a male heir; several miscarriages had followed the birth of their daughter Elizabeth and Henry had begun to court Jane Seymour. In memory of Anne, on the 19th of May 2023, her precious Book of Hours was brought out from the archive and put on display at Hever, along with fascinating historical details that could be deduced from it.

A Book of Hours is basically a Christian prayer book designed to guide the spiritual life of a secular person. It often contains psalms, hymns, extracts from the gospels and prayers to be read at the canonical hours of the day from Matins to Compline. Affluent owners often had their books lavishly illuminated and sometimes they were wedding gifts given by a husband to a wife. The books were sometimes personalised through having the owners themselves featured in the paintings or through featuring local saints; some have notes written in the margins, some were so much a part of daily life that they were hung from a woman's girdle, like her keys. In the case of Anne Boleyn's Book, the prayers in English show more wear, from kissing or rubbing the pages, than the Latin prayers. It is tempting to see in this the enthusiasm Anne had for promoting an English Bible for all to be able to read, as shown by her protection of those working on English translations. However, the Hever exhibition points out that after Anne's death the Book was owned by various Kentish women who may not have known Latin and whose use of the book would have left its mark. 

Anne was originally a maid of honour to the Queen, Catherine of Aragon, but by 1527, the year of the book's printing, Henry was hotly pursuing Anne and was considering the annulment of his marriage to Catherine. Assistant creator Kate McCaffrey explains in the Hever exhibition that books from this printing were commissioned for the English court, including both Catherine and Anne, but that their copies are of different quality.  

The vivid colours used in illumination were made from sources such as charred wood (black) lapis lazuli( blue) gold, cuttlefish ink (sepia), crushed insects ( crimson) or limonite (ochre). Anne's Book of Hours is decorated with gold borders, red and blue corner patterns and oval borders with inscriptions, whereas Catherine's is plainer. Whether this was perhaps due to Anne, full of confidence as she moved towards becoming Queen, commissioning the books herself, or whether the books were gifts from the King that reveal his coldness to Catherine and his passionate interest in Anne is a matter for speculation.

The rivalry between Anne and Catherine is further shown in a tiny illumination in Anne's music book in which her emblem, the falcon, is shown pecking rather viciously at Catherine's emblem, the pomegranate.   

Leaving aside the machinations of Court, I was also intrigued to see an inscription in Anne's own hand at the foot of one of the pages of her Book of Hours.

In June 1528, when Henry was still married to Catherine and pursuing Anne, a 'sweating sickness' occurred in London that sent the court, in action all too reminiscent of the last few years, scattering to the countryside to quarantine. Anne and her father at Hever became dangerously ill and Anne's brother-in-law died of the virus. Kate McCaffrey's research suggests that the inscription was written at around this time, possibly while Anne battled with the death-dealing illness. 

Governor signs FY25 state budget

 Illinois State’s operating funds will increase 2% in FY25. Governor JB Pritzker signed the budget on Wednesday, June 5, 2024. The $1.5 million increase from FY24, as originally outlined in the Governor’s February 21, 2024 budget address, will provide Illinois State with a total general fund appropriation of $79.78 million for the coming fiscal year that begins July 1. The FY25 budget marks the third consecutive year of increased appropriations for all Illinois public higher education institutions. 

“Illinois State University is appreciative of the Illinois General Assembly and Governor for delivering a 2% increase in higher education operating appropriations,” said Illinois State University President Aondover Tarhule. “This is a needed boost to help us keep pace with the cost of inflation. In addition to the Board of Trustees’ action to hold base tuition steady for the upcoming year, we will continue to advocate for future increased funding to meet our commitments of keeping Illinois State accessible and providing an enriching experience for our students.”

The budget also adds $10 million to the state’s Monetary Award Program (MAP), bringing the total MAP appropriation to $711 million and improving student access to financial aid across the state. Approximately 6,400 undergraduate students at Illinois State received MAP funding for the 23-24 academic year, totaling about $44 million. The additional MAP funds committed for FY25 are expected to assist even more underserved students at Illinois State this fall.

“Illinois State looks forward to upcoming productive conversations with state legislators moving into the next legislative session,” said Director of Public Affairs and Policy Brad Franke. “The University will continue to advocate for investment in higher education in Illinois and will actively pursue state funding and legislative initiatives that support and build on our successes.”

Changes to historic inequity in our per-student appropriation, reimbursement for unfunded state mandates, and funding for much needed deferred maintenance are other legislative priorities being pursued by Illinois State staff.

10 ways to have fun in Bloomington-Normal during summer 2024

 Bloomington-Normal, ranked No. 3 on College Values Online’s list of “Best Small College Towns America,” is heating up with summer events and activities.

Here’s a list (in no particular order) of 10 fun things for Redbirds to do near Illinois State University’s campus this summer.

1. Dive into summer at the new O’Neil Aquatics Center

New in 2024, the O’Neil Aquatics Center in Bloomington features the community’s first public lazy river, a 30-foot tall twisting slide, a zero-depth leisure pool and lap pool, and two (1-meter and 3-meter) diving boards. Normal’s Fairview Family Aquatic Center also features four pool areas, five slides, and a zero-depth activity pool.

2. Celebrate 200 years of Funk Farms

Funk Farms is throwing a 200th birthday party on Saturday, June 22, which promises to be a fun-filled and informative day on the farm. Visit Funk Farms, 20 minutes southwest of campus, to learn about the history of the Funk Family farm—including how to make maple sirup—and enjoy food, vendors, live music, and more. Admission is free

.3. Make Music Normal

Held steps away from campus in Uptown Normal, Make Music Normal presented by CEFCU—Friday, June 28-Saturday, June 29—is two days of free, live entertainment showcasing local and regional talent across six stages. Organized by Normal LIVE, music performances are also scheduled at Uptown Circle each Wednesday and Saturday evening through the end of September, with other shows taking place at the Connie Link Amphitheatrer

4. Experience nature at the Horticulture Center

Located off West Rabb Road in Normal and open to the public daily from dawn until dusk, the 23-acre Illinois State University Horticulture Center features tranquil gardens and a towering native prairie, which transports visitors far away from the everyday bustle.

5. Attend the Illinois Shakespeare Festival

In its 47th season, the Illinois Shakespeare Festival is a professional repertory company that produces mainstage productions for more than 10,000 patrons each year at the open-air Ewing Theatre. This season features Twelfth Night, Sense and Sensibility adapted by Quetta Carpenter, and Macbeth, with performances running June 27-August 3.

6. Shop the Downtown Bloomington Farmers’ Market

Located around the Downtown Square each Saturday from 7:30 a.m.-noon, the Downtown Bloomington Farmers’ Market offers fresh vegetables, fruits, cheeses, pork, beef, free-range poultry and eggs, flowers, plants, herbs, and more, sold by the people who grew or produced them.

7. Listen to Concerts on the Quad

Pull up a lawn chair or lay down a blanket and enjoy a free concert, from jazz to opera, each Monday in July beginning at 7 p.m. on the east side of Cook Hall on the Quad. Concerts on the Quad are presented by Illinois State University’s Wonsook Kim College of Fine Arts and School of Music.

8. Open skate

During the dog days of summer, cool off with open skating at the Bloomington Ice Center. Skaters of all ages, skill levels, and interests are invited to take a stroll around the Olson Ice Rink. A themed holiday (July 27) and color splash (August 24) open skate are also planned this summer. Then, return to Grossinger Motors Arena (connected to the Bloomington Ice Center) in October to watch the puck drop on the inaugural season of Bloomington Bison hockey, the East Coast Hockey League (ECHL) affiliate of the New York Rangers. The Redbird men’s and women’s hockey club teams also play there.

9. McLean County Fair

Experience the world’s largest county 4-H Show during the McLean County Fair, July 24-28. Enjoy twists, turns, and thrills at the carnival, take in a grandstand show, check out the 4-H exhibits, or get your fill of deep-fried fair food.

10. Step right up, and enjoy the Sweet Corn Circus

As a nod to Bloomington-Normal’s agriculture and circus roots, the annual Sweet Corn Circus in Uptown Normal—Saturday, August 24-Sunday, August 25—draws thousands of attendees each year who enjoy fresh (picked earlier that morning) sweet corn on the cob and performances by Gamma Phi Circus clowns, acrobats, aerial artists, and more. And be sure to return to Uptown October 5-6 for the Sugar Creek  Arts Festival.

From outer space to a theatre near you: the School of Theatre and Dance presents Space Girl

 Harris believes “there is an outsider in all of us” and that “the theater is a place where outsiders may enter in.” There is often a stigma placed on people who do not seem to fit in well. But, in this production of Space Girl, the outsiders are the ones who bring creativity, laughter, and curiosity into the world. With beautiful projections, fun costumes, and a cast of actors willing to explore what it means to be an alien from space, this play shows us that being an outsider is a gift, not a curse.

Directed by M.F.A in directing candidate, John McCall Jr., Space Girl performances will take place in Westhoff Theatre on February 16-17 and 21-24 at 7:30 p.m. as well as February 18 at 2 p.m. The performance run time is approximately 90 minutes, with no intermission.

Tickets can be purchased in person at the Center for the Performing Arts Box Office on the campus of Illinois State University, by calling (309) 438-2535, or on the box office website.

If you need accommodations to fully participate in this program, please contact the Center for the Performing Arts Box Office at (309) 438-2535. Please allow sufficient time to arrange the accommodation.